This week, as a one-off, we’re going to go numerically through some of the albums on the list which have a number in their title! Choosing a theme each week is a bit of a free for all as we get this deep into the project, and there aren’t even any records by 5ive! Let’s get down to it.
The Cardigans, ‘First Band on the Moon’ (link)
I always thought ‘Gran Turismo’ was their big album – certainly it had two of their big hits, ‘My Favourite Game’ and ‘Erase/Rewind’ – but the one on the list is this one, which features their breakthrough, ‘Lovefool’. It kind of feels like it’s a product of its era, that point in the 1990s which was heavily influenced by the 1960s. It’s okay, but struggled to resonate with me.
Stevie Wonder, ‘Fulfilingness’ First Finale’ (link)
Following ‘Innervisions’, this awkwardly-titled album contains none of the big hits, and feels like much the same things that I’ve come to expect from Stevie: keyboard-led funk with the occasional saccharine ballad. The best song, despite its name, is ‘Boogie On Reggae Woman’, where Wonder’s own synth bass and drumming replicates an up-tempo funk jam band. It’s refined and surprisingly concise but can’t match ‘Innervisions’. Just one more of his albums on the list.
Underworld, ‘Second Toughest in the Infants’ (link)
Apparently named from one of the band’s nephews boasting, this album came out around the same time as Underworld’s biggest hit, ‘Born Slippy.NUXX’, which doesn’t feature here. It’s a collection of lengthy electronic tracks, pausing occasionally for guitar interludes, and topped with Karl Hyde’s muttered vocals. ‘Pearl’s Girl’ is the closest thing to a banger here, so it’s no surprise that it was chosen as the single. This is fine. I think, however, that my favourite song of Underworld’s other than the ‘Trainspotting’ one is ‘Shudder/King of Snake’, a kind of merging of ‘Born Slippy.NUXX’ and Donna Summer’s ‘I Feel Love’.
Big Star, ‘Third/Sister Lovers’ (link)
Singing about ‘Cool Jerk’ while the drummer bangs a saucepan, doing a wet version of ‘Femme Fatale’ with his girlfriend on vocals, playing a slow-motion piano dirge and calling it ‘Holocaust’… Alex Chilton had some strange ideas at this point in his career. As a rock album, this is all over the place, but as a document of Chilton’s apparent disintegration, it’s compelling. A Big Star album in name only – only two of them even appear on the album and it was originally recorded either under Chilton’s name or as Sister Lovers (Chilton and Jody Stephens’s girlfriends were sisters).
Soft Machine, ‘Third’ (link)
Never the most imaginative when it came to naming their albums, Soft Machine save their wild ideas for their music, which here mark their transition from prog rock to free jazz. Wait, come back! This does start with their most objectionable song, ‘Facelift’, all random doodlings and Miles Davis parping. The second disc, with Robert Wyatt’s ‘Moon in June’ and the closer ‘Out-Bloody-Rageous’, feels more cohesive and coherent, and feels pretty palatable. This is the band’s only appearance on the list.
Eric Clapton, ‘461 Ocean Boulevard’ (link)
I was kind of dreading listening to Clapton – bluesy old guy rock, whose previous appearance here was in the Blues Breakers – but I found myself enjoying the heck out of this. Clapton’s first album after three years of heroin addiction, he sounds like he has a point to prove, and sounds as though he’s found some musicians he’s having fun with. Good harmonies and good songs here, although we learn nothing new about Marley’s ‘I Shot The Sheriff’.
Alice Cooper, ‘Billion Dollar Babies’ (link)
Suddenly huge after the success of their triumphant ‘School’s Out’, the Alice Cooper band were both bewildered by their fame and attempting to equal it. Commercially, this was a triumph which essentially codified heavy metal and shock rock: songs about necrophilia with a cheesy stage show. Artistically, though, I’m not sure it has a consistent motif in the same way as ‘School’s Out’ does: ‘Hello Hooray’ is a great bit of Ziggy Stardust peacocking, but the dallying with glam and proto-metal doesn’t quite gel with me in the same way as ‘School’s Out’ does.
Next week: back to the live albums! *audience cheers*
Progress update: 700 listened to (70%), 301 remain.