This week, I’ll be looking at some of the artists who feature on the list most often, but whose output is mostly a mystery to me. It probably won’t surprise you that the artists who have most entries on the list are The Beatles, David Bowie and Neil Young (seven albums each). I’ve already listened to all the Beatles and Bowie, but we will be seeing a lot more of the following artists…
Leonard Cohen, ‘Songs of Leonard Cohen’.
One of four Cohen albums on the list, this one is his debut, which features two of his best-known songs in ‘Suzanne’ and ‘So Long, Marianne’ (like Lou Reed, Cohen liked naming songs after women). Recorded in the late 60s, this album is atypical for its era as it’s often quite stark and stripped-down, whereas a lot of singer-songwriter albums are drenched in strings and horns. Indeed Cohen had to battle with a producer keen to orchestrate his songs. It’s pretty good, but I bet there’s better albums in Cohen’s oeuvre and on this list. Fans of 80s goth will be pleased to know that not only does this album contain the track ‘Sisters of Mercy’ but, in a later track, the line “some girls wander by mistake”, later used by the Sisters for a compilation.
Elvis Costello, ‘This Year’s Model’.
One of a sextet of Costello albums on the list and, look, it’s not like I hate him – I think it’s difficult to do so – but six albums? It’s like having six Weezer albums, or six Squeeze albums. This one features ‘I Don’t Want To Go To Chelsea’ and ‘Night Rally’, both of which trump anything on ‘My Aim Is True’, and the production and playing is clean, but I’m yet to hear anything essential in these albums.
Led Zeppelin, ‘Led Zeppelin II’.
There are five Zep records on the list, of which I’d heard just one (‘IV’). As well as the templated heavy blues, this one has all sorts of dynamic tricks up its sleeve: unexpected noise breaks (in ‘Whole Lotta Love’), drum solos (which could often be extended to 30 minutes live!), false fades and more. Aside from ‘Thank You’ – a sort of grandfather to 80s metal power ballads – this didn’t do a whole lotta exciting me, and has a song called ‘Living Loving Maid (She’s Just A Woman)’: I mean, ugh. Still, although the bluesy squalls aren’t necessarily to my taste, you can’t fault the musicianship, and as far as legacy and impact goes it’s obviously an important album.
Sonic Youth, ‘Sister’.
I’d heard the intermittently-superb ‘EVOL’ so the earliest Sonic Youth album on the list that I’d not heard was its successor, ‘Sister’, which bridges the gap between the noise-rock of ‘EVOL’ and the MTV-bothering tunes-and-weird of ‘Daydream Nation’. Despite the fact that zillions of imitators have recycled the ideas herein, the source material still remains compelling, with Moogs, church bells and ear-splitting noise embellishing a surprisingly coherent album. Like any band this abrasive – Atari Teenage Riot, Melt-Banana – their sound feels more effective in doses less than a full album’s worth, but this is an excellent album.
Bruce Springsteen, ‘Born to Run’.
When Todd Rundgren first heard the ‘Bat Out Of Hell’ demo, he thought it was a hilarious parody of Bruce Springsteen, extending the joke by getting two of the E Street Band in to play on the album when he produced it. Listening to ‘Thunder Road’, it’s easy to see why he might have drawn that conclusion (‘Bat Out Of Hell’ does sound very much like an overwrought version of ‘Thunder Road’). Of course, one of the other stylistic innovations of this album – putting glockenspiel all over the place – has been pilfered by the Arcade Fire and others, meaning the imitators have plundered most of the main tricks here. This is okay, and the second half removes a lot of the elements in the first half that now seem cheesy, but I dunno, the Boss is still yet to show me the magic everyone else sees.
Steely Dan, ‘Can’t Buy A Thrill’.
The band have four albums on this list, starting with this, their debut. It’s an odd choice for a name because Steely Dan were a soft-rock band in the 70s: they knew full well they could buy a thrill in grams or ounces. It’s also a novelty in the band’s back catalogue as it features a different lead singer: David Palmer covers some of the vocals here and live due to Donald Fagen’s concerns about his voice. Anyway, whoever’s on vocals, the music is great, with piano noodles, Latin rhythms, screeching solos and more in the mix. It’s very accomplished coke-y soft-rock: I wasn’t expecting to enjoy this as much as I did.
The Who, ‘The Who Sell Out’.
Five Who records on the list, here’s the second. On this one, the band pay homage to pirate radio with an album segued together with jingles and occasionally writing about products as if they were adverts – although this being The Who, the lyrics have an odd take (‘Odorono’ is about a woman failing to complete a romantic experience because she hadn’t used underarm deodorant). The segues and musical variety make this one a blast, with Moon’s drumming and the vocal harmonies standing out. The best-known song is ‘I Can See For Miles’, but there’s plenty of other treats on this day-glo Pop Art album.
Next time, I’ll be looking at some of the Australian albums on the list. See you then.
Status check: 280 listened to (28%), 721 remain.