Adam and the Ants, ‘Kings of the Wild Frontier’.
A weird combination of tribal drumming, post-punk guitar and glam vocalist, nothing sounds exactly like this. It opens with two hits in a row, but the non-singles are also great too.
Destiny’s Child, ‘Survivor’.
Front-loaded with terrific hit singles, everything after track 3 is a bit hit or miss (‘Dangerously in Love’ appears, but is an anonymous ballad) and the last two songs (a gospel medley and the album’s thank yous over a cutting-room-floor beat) are a total waste of time.
Public Image Ltd, ‘Public Image’ (or ‘Public Image: First Issue’).
This sounds really fresh still, probably because everything sounds like it these days, but its abrasive drones aren’t always an easy listen. It makes sense that Banshees guitarist John McGeoch later joined PIL, as Keith Levene’s flangers-on-sustain guitar lines remind me a lot of McGeoch.
Rolling Stones, ‘Beggars Banquet’.
Perhaps the wrong choice of Stones records to start with, as harmonica-infested blues workouts are never my favourite things. A good track opens both sides (‘Sympathy for the Devil’ and ‘Street Fighting Man’) but a lot of the filler tracks sound like spoofs of country and/or blues cuts by Robert Johnson or Bo Diddley.