I’ve been working through the 1001 Albums You Must Hear Before You Die. Luckily I had a head start, having listened to 130-odd already, but that still leaves 871 that I hadn’t. While this means I will listen to a lot of good music, there also appears to be some total dreck: I am particularly reluctant to listen to three Def Leppard albums, a Bees record and ‘Slippery When Wet’. Sarah-Beth suggested I write about them, so here are some.
The Beatles – ‘With the Beatles’.
All the famous ones are on the list too but I’d already heard them. This one is from the point where things like ‘Roll Over Beethoven’ covers were still acceptable choices for album tracks. The only famous Fabs song on it is their cover of ‘Money’ (not the Pink Floyd song obv). Okay, not great, still a couple of years away from the real game-changers.
Kate Bush – ‘Hounds of Love’.
Hits on the A-side, dull concept stuff on the B-side. The hits have dated better than the Fairlight jams. Bat for Lashes was taking notes.
Can – ‘Tago Mago’.
Starts off as a normal enough 70s Krautrock album, but changes shape with the 18-minute ‘Halleluwah’, which adds curious sound effects and edits over the funk-trance jam like a King Tubby record or something. Everything on the second disc is abstract experimentation, often without a clear melody line. Pretty good in places.
Miles Davis – ‘Bitches Brew’.
I’d never heard this, but Angelo Badalamenti obviously has – the cumulative discordance and noisy horn blasts often present in his work clearly originate from this album. I’m a total jazz philistine so the wild cacophonies were beyond me; ‘Spanish Key’ is the track that made most sense to me.
DJ Shadow – ‘Entroducing’.
Too long, but still sounds fresh and holds up well even after 20 years or however long it is. I’d heard Shadow’s stuff with UNKLE and Quannum Projects but never his solo work. Good album.
Brian Eno – ‘Before and After Science’.
Eno’s 70s were pretty great all in all. This isn’t as good as ‘Another Green World’ or ‘Here Come the Warm Jets’ but is more of the quirky, off-kilter rock he did that decade. Also surely the only album of the 1001 to use the phrase “not a sausage”.
Iggy and the Stooges – ‘Raw Power’ (Iggy Pop mix).
The album’s always criticised for its mixing and production: Iggy’s mix was so rudimentary that the label insisted Bowie remixed it; there wasn’t much Bowie could do with it though as the recording was so poor. This is, however, the original Iggy mix. The guitar is too loud, Iggy is too loud, the rhythm section is often inaudible. This must have sounded fantastic at the time – it does have melodies and structure, despite initial appearances – but bloody hell.
The Incredible String Band – ‘The Hangman’s Beautiful Daughter’.
Gorky’s Zygotic Mynci were always compared to ISB in their day; it’s possible that this was a derogatory reference. The ISB were a weird psych band from Scotland, so are contemporaries of the Canterbury lot. Without a rhythm section, these songs drift around and last forever, often sounding like extended sitar jams. Pretty dull.